About

Natalia Mamaj is a cinematographer based in Germany. She studied in her hometown at the renowned film school University for Television and Film Munich (HFF München). During her time at film school she photographed numerous acclaimed documentaries and fictional shorts. Her recent work “Echoes from Borderland” won the Best Documentary Award on the renowned Max-Ophüls-Filmfestival. The documentary „Shapes“ for which she was responsible for the cinematography was shortlisted for the film school student section in Cannes.

 

Hooked by engaging stories her camera work is truly dedicated to enhance human nuances and driven by the protagonists. She’s always eager to find captivating pictures fit for the story and does not shy away from any technical challenge the project might present. It is of crucial importance to her to work closely with the director and the crew.

 

Aside from film she has a passion for all kind of languages, be it dead or alive – and for Capoeira.

Filmography

Fiction

HUNDSLINGER HOCHZEIT︱Dir. Christina Baumer

DON JUICY︱Dir. Diego Tejeda Oliva

SCHRATZ︱Dir. Sarah Ellersdorfer

A BIERLE IN DA SUN︱Dir. Welf Reinhart

ALLES SUPER︱Dir. Josef Fink

SWEAT, GREASE & KETCHUP︱Dir. Sarah Ellersdorfer

NIGHT OUT︱Dir. Natalia Mamaj

Documentary

ECHOES FROM BORDERLAND︱Dir. Lara Milena Brose

LIDLOOP︱Dir. Merit Brinks

SHAPES︱Dir. Fariba Buchheim

LEBENSZEIT︱Dir. Matthäus Werle

ARBEIT & VERGNÜGEN︱Dir. Henrik Focken

Commercial

#FUCKSUPREMACY︱Dir. Natalia Mamaj

SEA LEGACY︱2nd Unit︱Dir. Nancy Camaldo

BMW GROUP DIALOGUE MILAN︱Dir. Nancy Camaldo

 

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